There are a lot of reasons why we ladies go for the bad boys. Boredom, for one. Low self-esteem, for another.
Probably not the best reasons for picking a boyfriend. But the advantage of the bad boy is that you never have to guess what he’s thinking, or what he wants. Bad boys tend to be rather to-the-point types. They go after what they want, and they say what they’re thinking—which is a great thing until they say something their girl doesn’t want to hear (namely, in so many words, “I’m not interested in being with you anymore”), and then she slides into a pit of denial. But I digress.
Good guys, on the other hand, not so much. Where are they? What are they thinking? Who knows. It’s easy to go for the bad boy when all the alleged good guys never gather up the necessary fortitude to ask you out. And let’s be honest. Relationships have a spectacularly high failure rate. The good guy might not break your heart on purpose like the bad boy, but sooner or later he’s probably going to break it anyway.
The ultimate lure of the bad boy, though, is the fantasy that you’ll finally be the one to tame him. In this fantasy, he will spend the rest of his natural life making you happy, because he loves you enough to give up his bad boy ways (while still retaining enough of a sexy edge to make all your friends jealous). It never worked out for the bad boy and everyone else, but that will make your happy union all that much more special.
What, pray tell, does all this have to do with sports? I’m so glad you asked.
I think Jim Hendry has fallen hard for a very bad boy in Milton Bradley. For starters, all the alleged good guys never showed quite the level of interest that to-the-point Bradley did. And there’s no need to guess what’s Bradley wants. He doesn’t seem to want to be fat and take up space in the outfield (Adam Dunn). He doesn’t seem to want to sell his bat to the highest bidder like a shameless mercenary (Manny Ramirez). You’ll know what he wants because he goes after it with reckless abandon, be the object of his desire a victory for his team or an umpire’s head on a stick.
I’m sure Jim is tempted by the idea that Milton Bradley might spend the rest of his natural baseball life making the Cubs happy. Bradley could never stay healthy or stay sane for all those other teams. But for the Cubs, this notion goes, he will do both. I can see the appeal of that. Still, I’ve been against the Bradley signing for two reasons. One, we’ve already placed the success of our pitching rotation largely in the hands of Rich Harden, known injury magnet, and Carlos Zambrano—based on the last two months of last season, who knows what kind of shape his arm is in. And now we’re going to place the success of our lineup largely in the hands of another known injury magnet? We can handle a little bit of uncertainty in the lineup if our pitching is solid, and vice versa. Imperiling both makes me nervous. Two, there is an inverse relationship between the number of a-holes on my team and the amount of enjoyment I get from watching my team.
But. But, but, but. What if Bradley behaves himself and stays healthy? What if the Cubs finally are the ones to tame the bad boy? It’s going to take a miraculous convergence of circumstances for the Cubs to finally win it all. Even last year’s remarkable run of good luck wasn’t enough. Milton Bradley, filed down to a sexy edge, might turn out to be one of those factors that turns fantasy into reality.
In the end, even the nicest of nice guys will suffer decline and wind up breaking your heart (Derrek Lee). Signing a bad boy probably feels like a risk worth taking for a team that’s bored with losing (after 100 years of it) and that possibly suffers from low self-esteem (due to 100 years of being a loser). Maybe Milton Bradley will reward the Cubs’ loyalty by bringing them years of unending happiness. Or maybe he will just leave them in tears, eating chocolate, calling up their girlfriends, and swearing off temperamental switch-hitters forever.
Apparently, we are going to find out.